Category Archives: exhibition

The Land Carries Our Ancestors: Contemporary Art by Native Americans

By Jaune Quick-to-See Smith, heather ahtone, Joy Harjo, and Shana Bushyhead Condill (2023)

The Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today’s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—that share the common thread of the land.

Posted in art, culture, environment, exhibition, history, myth

The Renaissance of Etching


By Catherine Jenkins, Nadine M. Orenstein, and Freyda Spira (2019)

The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.

Posted in art, exhibition, history, printmaking, technology

Ray Johnson c/o

Edited by Caitlin Haskell and Jordan Carter (2021)

Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation.

Posted in art, design, exhibition, language, media, semiotics, typography

Printmaking in Paris: The Rage for Prints at the Fin de Siècle

By Fleur Roos Rosa de Carvalho and Marije Vellekoop (2013)

In the years between 1890 and 1905, Paris witnessed a revolution in printmaking. Before this time, prints had primarily served reproductive or political ends, but, as the century came to a close, artistic quality became paramount, and printmaking blossomed into an autonomous art form. This gorgeously illustrated and accessibly written book looks at the circumstances in which this terrific new enthusiasm for prints unfolded; the principal players in its development; and the various printmaking techniques being used.

Posted in art, culture, design, exhibition, history, printmaking

Käthe Kollwitz: Prints, Process, Politics

Edited by Louis Marchesano (2020)

German printmaker Käthe Kollwitz (1867–1945) is known for her unapologetic social and political imagery; her representations of grief, suffering, and struggle; and her equivocal ideas about artistic and political labels. This volume explores Kollwitz’s obsessive printmaking experiments with the evolution of her images, and assesses the unusually rich progressions of preparatory drawings, proofs, and rejected images behind Kollwitz’s compositions of struggling workers, rebellious peasants, and grieving
mothers.

Posted in art, biography, exhibition, politics, printmaking

Nature: Collaborations in Design

Edited by Andrea Lipps, Matilda McQuaid, Caitlin Condell, Gène Bertrand

Designers today are striving to transform our relationship with the natural world. Although humans are intrinsically linked to nature, our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact’s manufacture and use to its obsolescence. As a result, designers are aligning with biologists, engineers, agriculturists, environmentalists and many other specialists to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means.

Nature: Collaborations in Design ― companion to an exhibition titled Nature ― Cooper Hewitt Design Triennial, Co-organized with Cube design museum―includes over 65 international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers’ strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers.

Posted in architecture, art, design, environment, exhibition, science, technology

Louise Bourgeois: An Unfolding Portrait


By Deborah Wye (2017)

Published in conjunction with an exhibition at The Museum of Modern Art, this catalog presents more than 270 prints and books, organized thematically, and includes an essay that traces Bourgeois’ involvement with these mediums within the broader developments of her life and career. It also emphasizes the collaborative relationships that were so fundamental to these endeavors. Included are interviews with Bourgeois’ longtime assistant, a printer she worked with side-by-side at her home/studio on 20th Street in New York and the publisher who, in the last decade of her life, encouraged her to experiment with innovative prints that broke the traditional boundaries of the medium. The volume is rounded out with a chronology and bibliography that focus on prints and illustrated books while also providing general background on Bourgeois’ life and art.

Link to MoMA online archive: Louise Bourgeois: The Complete Prints & Books

Posted in art, biography, exhibition, feminism, interview, printmaking

Something to Take My Place: The Art of Lonnie Holley

Edited by Mark Sloan (2016)

Lonnie Holley (born 1950), acclaimed by The New York Times as “the Insider’s Outsider,” is best known for his assemblage sculptures incorporating natural and man-made materials, often cast off or discarded; he has recently also begun to make music, through the Dust-to-Digital label. Legendary for his environmental assemblage that spread over two acres of his property in Birmingham, Alabama―now destroyed―Holley scavenges and repurposes found objects in the service of a personal philosophy of renewal and rejuvenation. This is the first monograph on Holley’s work in more than a decade. Illustrated with reproductions of more than 70 of Holley’s sculptures, it provides a comprehensive overview of Holley’s art, life and philosophy, with essays by Mark Sloan, Leslie Umberger, Bernard L. Herman and an “as-told-to” autobiography recorded by noted oral historian Theodore Rosengarten.

Posted in art, biography, culture, exhibition, music

Art for Every Home: Associated American Artists, 1934-2000

Edited by Elizabeth G. Seaton and Jane Myers (2015)

This highly original study offers the first comprehensive, critical overview of a company that expanded the audience for American prints, ceramics, and textiles throughout the 20th century.

Link to Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs: AAA Index

Posted in art, culture, design, exhibition, history, printmaking

The Brilliant Line: Following the Early Modern Engraver, 1480-1650

Edited by Emily J. Peters with contributions by Evelyn Lincoln and Andrew Stein Raftery (2009)

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the physical process of engraving informed its visual language; the context for the spread of particular engraving styles throughout Europe; and the interests, knowledge, and skills that Renaissance viewers applied when viewing and comparing engravings by style or school.

Posted in art, exhibition, history, media, printmaking