Reading
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Laughter: A Scientific Investigation
Robert R. Provine
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European Design Since 1985: Shaping the New Century
R. Craig Miller, Penny Sparke, Catherine McDermott
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DownBeat – The Great Jazz Interviews (A 75th Anniversary Anthology)
various authors
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Pattern Recognition
William Gibson
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Category Archives: history
Craft in America
By Jo Lauria and Steve Fenton (2007)
The companion book to the PBS series of the same name, Craft in America highlights the work of America’s most interesting craft artists past and present. Illustrated with more than 200 commanding images and signature objects from furniture, wood, ceramics, and glass to fiber, quilts, jewelry, metal, and basketry, this definitive work shows how crafts, long admired for their marriage of functionality and creativity, also reflect our nation’s history and the remarkable people who passed on their traditions.
Makers: A History of American Studio Craft
By Janet Koplos and Bruce Metcalf (2010)
Here is the first comprehensive survey of modern craft in the United States. The book follows the development of studio craft–objects in fiber, clay, glass, wood, and metal–from its roots in 19th-century reform movements to the rich diversity of expression at the end of the 20th century. Keeping as their main focus the objects and the makers, Koplos and Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft.
Innovations in Art and Design Series
Art and Visual Culture series from Routledge:
Network Art: Practices and Positions (2005)
Invisible Connections: Dance, Choreography and Internet Communities (2005)
Thinking Through Art: Reflections on Art as Research (2005)
New Practices – New Pedagogies: A Reader (2005)
New Visions In Performance (2004)
Digital Creativity: A Reader (2002)
Paths to the Press: Printmaking and American Women Artists, 1910-1960
Edited by Elizabeth Seaton (2006)
In 1910 Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists’ contributions to printmaking in the U.S. during the early to mid twentieth century.
Posted in art, biography, exhibition, feminism, history, printmaking
Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means
By Siegfried Zielinski (2006)
Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of “dreamers and modelers” of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. “Media are spaces of action for constructed attempts to connect what is separated,” Zielinski writes. He describes models and machines that make this conncection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the “deep time” media history shed light on today’s media landscape and may help us map our expedition to the media future.
New Media, Old Media: A History and Theory Reader
Edited by Wendy Hui Kyong Chun and Thomas W. Keenan (2005)
A comprehensive anthology of original and classic essays that explore the tensions of old and new in digital culture. Leading international media scholars and cultural theorists interrogate new media like the Internet, digital video, and MP3s against the backdrop of earlier media such as television, film, photography, and print. The essays provide new benchmarks for evaluating all those claims–political, social, ethical–made about the digital age. Committed to historical research and to theoretical innovation, they suggest that in the light of digital programmability, seemingly forgotten moments in the history of the media we glibly call old can be rediscovered and transformed. The many topics explored in provocative volume include websites, webcams, the rise and fall of dotcom mania, Internet journalism, the open source movement, and computer viruses.
Modern Threads: Fashion and Art by Mariska Karasz
By Ashley Callahan (2007)
This fully illustrated book on fashion designer and fiber artist Mariska Karasz (1898-1960) accompanies the exhibition of the same name at the Georgia Museum of Art from January 20 to April 15, 2007. It is divided into three major sections, one focusing on her fashion design for women, one on her fashion design for children, and one on her embroidered wall hangings. With many full-color images representing all three of these categories, it is the most comprehensive work published on Karasz.
Posted in art, biography, design, exhibition, history
Dangerous Drawings: Interviews With Comix & Graphix Artists
Edited by Andrea Juno (1997)
Editor Juno has compiled interviews with and samples from 14 leading comics artists, including Art Spiegelman (Maus), Diane Noomin (Twisted Sisters), and Anne Kominsky-Crumb (Weirdo), whose aesthetics and politics often diverge but who are linked together in their “subversive” use of a populist narrative form. A glance at the index reveals an intermingling of high and low, art and culture, sex and politics; citations range from Madame Bovary to Madame X, from Picasso to Pinocchio the Big Fag. The artists’ investigations into their own work provide analysis in a field lacking in ample research and theory and reveal clues to material that is sometimes startlingly autobiographical. Each interview contains biographical data, numerous illustrations, and portraits.
Posted in art, counterculture, history, interview
Out There: Marginalization and Contemporary Culture
Edited by Russell Ferguson, Martha Gever, Trinh T. Minh-ha, and Cornel West (1990)
Out There addresses the question of cultural marginalization – the process through which various groups are excluded from access to and participation in the dominant culture. It is a wide-ranging anthology that juxtaposes diverse points of view on issues of gender, race, sexual preference, and class. It takes up the fundamental issues raised when we attempt to define concepts such as “mainstream” and “minority,” and it opens up new ways of thinking about culture and representation in our society.
Posted in art, counterculture, culture, exhibition, feminism, history, politics, theory
The Originality of the Avant-Garde and Other Modernist Myths
By Rosalind Krauss (1985)
In this challenging collection of fifteen essays, most of which originally appeared in October, Krauss explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, “Modernist Myths” and “Toward Postmodernism,” her essays range from the problem of the grid in painting and the unity of Giacometti’s sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.